Leticia Sampedro (b. Bilbao, Spain) is a NY based cross-disciplinary artist and designer interested in the mechanisms of meaning, of collective consciousness, and the aesthetics and behaviors that arise from our exposure to mobile screens.  


Leticia Sampedro (n. Bilbao, España) es una artista y diseñadora interdisciplinaria residente en Nueva York interesada en los mecanismos del significado, de la conciencia colectiva y en la estética y los comportamientos que surgen de nuestra exposición a las pantallas móviles.Leticia Sampedro (n. Bilbao, España) es una artista y diseñadora interdisciplinaria residente en Nueva York interesada en los mecanismos del significado, de la conciencia colectiva y en la estética y los comportamientos que surgen de nuestra exposición a las pantallas móviles.   







Paintings

(2022)

Paintings

(2020-21)

Paintings

(2019-20)

Installation
Performance
Video
Printed Matter
Drawings
Visual Research

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A performance duo with fellow artist Amanda Wallace:

TAB:rasa

Short for Tabula Rasa (blank slate), abbreviation for Tape Automated Bonding- a bonding and connection
process in the fabrication of electronic circuitry,
also meaning "to observe carefully over time" (keep tabs on).



'TAB:rasa @BUOY RESIDENCY'

A Manifesto:

+ We will use our blank slate relationship as an opportunity
to challenge conventional ways of getting to know someone.
+ We will examine the changes in psychological space between two people over time.
+ We will be aware of the frames through which we perceive the other.
+ We will use our mutual interest in the melding of nature and
technology as a lens to examine the evolution of the relationship.
+ We will observe and confront the effects of the ego on movement.
+ We will trust the truth in impulse.













'H Y B R I D'

TAB:rasa piece took place at the 'YESNOISE' art walk in the Highline Park, NYC.
In this performance we present digital life and afterlife as a parallel loop that intersects with 'real' life, as opposed to being understood as a continuation of the latter.